|Depending on your perspective,this guy is either going to hurt your feelings or validate your poorly justified sense of elitism over fans of other subgenres of metal.|
I haven't ranted online about metal in a few...months I suppose. So what motivates me today? Adam "Nergal" Darski and some recent comments he made in published interviews that managed to stir up the metal scene who otherwise would be having yet another pointless debate about "Pantera vs Metallica vs Iron Maiden" or upsetting themselves over why, one again, the Mayhem tour only has 3 quasi-listenable bands on it. For the sake of me throwing my opinion out there about a week after this was truly relevant, let's examine the pair of "controversial" quotes.
“Extreme art should be shocking and provoke a reaction. I really hope we are viewed as more than just a Black Metal band. We are an extreme band that can communicate our ideas on so many levels. Extreme Metal music these days is often only extreme by definition. It is a never-ending process of striving for perfection. Too many bands are chasing this and the scene is becoming like the X-Factor for Black Metal. There is no danger and unpredictability anymore. The majority of Death Metal bands from the U.S.A are so generic, they all sound perfect. It is fast and technical but there is no substance. Bands forget about emotion when they strive for perfection. You should be driven by your intuition and not just be concerned with shredding on your guitar. Perfection is boring and uninspiring. When people listen to The Satanist, it will stimulate them in many different ways. I saw Cabaret at the theatre recently and it was extremely moving. Extreme art must make people uncomfortable whether it is music, art or films. It has to be thought provoking. It takes a lot of energy for me to do this. I remember after my transplant when we started playing shows again. There was a time I thought I was going to pass out on-stage because it was so taxing playing the show and I did not have as much energy as before but now I am ready. I know I can give my all to this.”
I guess this comment got some peoples panties all wadded up since he appears to be taking a shot at American bands and American death metal in particular. Other people have used it as an opportunity to point and say “neener neener, Nergal agrees! Death metal blows d00d! I’m gonna listen to Finntroll and dress like a confused mess of a pirate…er…viking…er…Peter Pan!” Honestly, I don’t think he’s doing either. I don’t think all or even most American death metal is in a race to see who the most technical, or fastest, etc is. I do think there’s a massive amount of overly similiar sounding bands that (predominately) emerge from California, signed to either Unique Leader or Sumerian Records (or perhaps Prosthetic?), all of whom seem to be playing a style that’s pointlessly technical and way too digitally enhanced. Bands from that scene that sound like a cross of Suffocation and Deeds of Flesh (such as Inherit Disease, for example) I can totally dig on, but it doesn’t make Nergal’s assessment invalid; those bands are generic, seemingly a dime a dozen, and largely without personality. If someone plays you Carnophage or Severed Savior, do you really know the difference? And Brain Drill, for all of their hyperspeed, is boring as fuck.
That doesn’t reflect the whole American death metal scene, however. Besides Malignancy and maybe Immolation, the bands from New York don’t play a super technical style. The Florida scene, decrepitly old as all of those bands are, doesn’t fit Nergal’s profile, either. And I don’t think he meant for them to; it was merely an off the cuff comment focusing on what does appear to be popular among the youngest generation of fans these days.
"One of the factors that makes this record so different, and also I really hope it's something that distances our new record from the majority of extreme metal albums in the market these days, is that most of the music that is offered by so-called extreme metal bands is not extreme. The paradox is that the average extreme metal band these days is just another friendly band, which actually pisses me off, because that's not how "extreme metal' — black metal, death metal — was meant to be.
How fucking spot on Nergal is here. These days anything with double bass drums and some variation of screaming/growling vocals is automatically considered “extreme”. Am I supposed to think Killswitch Engage is “extreme”? Slipknot? In Flames? Perhaps in the 1980’s, playing a thrash beat and having a bit of gritty snarl in your vocals made you “extreme”, but these days grindcore has fully evolved. Shit like Kill The Client or Wormrot is as fast, unrelenting, and anti-melodic as anything I can imagine this side of pure noise or some insane sort of electronic music. Playing fast and growling isn’t extreme except to neophytes to the genre. Behemoth has been around since the early 1990’s; Nergal has more perspective on this than I think he gets credit for since Behemoth never really gained a high profile until the “Demigod” album in 2004 or whenever it came out.
I think what irks people is that it seems like Nergal is being quite full of himself at the same time he’s become something of a celebrity in Poland; doing energy drink commercials and judging contestants on reality shows and dating super models.
|Face it, metalheads; you're just jealous because he's living the life and you aren't.|
Guess what? You release a record like “The Satanist”, and you get to talk all of the shit you want. I’ve had some time to let this record sink in, and I’m convinced this is the best album to be released since Opeth’s “Blackwater Park” dropped in 2001. I don’t think there’s any one element that’s revolutionary about “The Satanist”, but Behemoth draws from enough varied influences to liven up what had become, over the last few albums, a predictable Polish style of death metal not dissimiliar from Lost Soul or Vader. It’s the most adventurous album I’ve heard from a death or black metal band that didn’t go completely lame (I’m talking about you, Shining) since Akercocke’s “Words That Go Unspoken, Deeds That Go Undone.”
So if y’all wanna get pissed at Nergal for speaking his mind, fuck off. At least he’s interesting and provoking debate instead of the hippie love fest that the metal scene is starting to become, where fans are accused of closed-mindedness if they dislike nerd-metal approved releases such as Opeth’s “Heritage” (which still sucks) or a recording of Devin Townsend reciting feminist poetry inside of a porta-john.
|Remember, no matter how much smarter and more sophisticated you think your choices in the music and media you consume makes you, you still look like these dorks to the rest of humanity. Get over it.|